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野花影院手机免费3

  • 9.8分 

    战争剧 

    泰国 

  • 日语中文字幕 

    2025年 

    完结 

  • 2025-05-29 19:02:28 

  • 渡边久美子

  • 曹会渠 布拉德·道里夫 卡罗尔·卡斯特鲁 朴惠秀 冈村隆史 今井文也

  • 该片讲述了:和严带白夜去吃饭,因✆为恐高的和严,坐ㄨ☢电梯上24层的时候,在电☏梯里晕倒了。✡✍Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.

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